Ukiyoe-wood block printing

46.The back of Fuji from the Minobu   The road that the travelers and horses are walking run down to the Kuonji temple, the head temple of Nichiren sect. Some of them are likely to be on their way to the temple. They are surrounded by rugged rocky mountains, and see the overlapping waves of the river on the

45.Kajikazawa in Kai Province   The painting depicts a man standing on the edge of a rocky beach gouged by rough waves, pulling a net, and a boy watching over a basket of fish at his side.   At first glance, it seems that the raging waves of the sea are striking on the shore. But

44.Lake Suwa in Shinano Province     In the first edition, it was a woodblock printing of a single indigo color. But every time running into several editions, green and light scarlet was added. Hereby the picture became an emotional landscape of the evening.   There is a rocky place where the shrine and two Japanese pine stands in

43.Dawn at Isawa in Kai Province     Isawa is a place famous as a sightseeing spot of hot springs today, originally developed as a postal station on the Koshu Highway.   There are people who are preparing for the trip and about to depart from the station under the slightly reddish sky of the dawn.  

42.Mount Fuji reflects in Lake Kawaguchi, seen from the Misaka Pass in Kai Province   Mt. Fuji drawn from the north side looks more precipitous than any other prints in the Japanese woodcut print series of “Thirty-Six Views of Mount Fuji”.   Katsushika Hokusai（1760-1849) provided the original ideas to this quiet and silent ukiyo-e art. First of all, in

41.Inume Pass, in Kai Province There was a post-town on the pass, and it was located on the Koshu Highway between the current Uenohara-shi and Otsuki-shi Yamanashi prefecture. The ukiyo-e artwork shows that the color of light vegetation is the early summer season, and the travelers walk ahead of massive Mt. Fuji.By the small persons and horses walking the